It’s a tough gig being a distinguished judge, but hey! Someone’s gotta do it. Michael Fitzgerald, editor of Art Monthly Australasia, Julie Fragar, celebrated, award winning painter and I judged the $20,000 EMSLA Award in Coffs Harbour the other week. We came together on the land of the Gumbaynggir and pay our respects to the […]
Author Archives: Natalie Thomas
Winners are Grinners: The 10th EMSLA Award; Coffs Harbour Regional Art Gallery
posted by Natalie Thomas
NGV#cockfest: Dummies and Dollies, Viktor & Rolf
posted by Natalie Thomas
‘Does the NGV have a problem with women?’ The Guardian recently asked its vast readership. More shocking than seeing the question in print, was that we already know the answer. The NGV has a problem with women. It’s a big problem too because the NGV continue to deny that there is a problem. The NGV’s […]
Painting. More Painting: Creators versus Producers. Silence kills culture
posted by Natalie Thomas
If you don’t believe in God, it’s difficult to believe in painting. Most painters self identify as Creators, just like God. Yawn. But what did God ever do for women? Except hold us back. Me, I identify as an artistic Producer, like Mel Brooks. Creators and Producers don’t see eye to eye, their philosophies are […]
Politics: It’s child’s play
posted by Natalie Thomas
It’s a great job explaining politics to your kid and, in turn, having your kid explain politics to you. Maxine has just turned 12 and is showing an increasing interest in politics this election. She’s highly opinionated; once her mind is made up, she’s difficult to sway. Stubborn even. In general terms, Maxine believes that […]
Controversy Sells: The Representation of Girls and Women in Art and Culture
posted by Natalie Thomas
In an art world overflowing with unhealthy relationships, the old guy photographer and the hot, young, eager, barely legal female model is a tried and tested formula. It’s a look that ain’t going out of style yet. The photographer can always find an audience, a market, a home, a collection, a retrospective, a publisher for […]
20th Biennale of Sydney
posted by Natalie Thomas
Melbourne had a Biennale once, back in 1999, before you were born. Curator Julianna Engberg called it Signs of Life. But it died. Reputedly went three times over budget it did and Melbourne University (who had underwritten it) decided they weren’t rich enough to go into the red for culture, so they canned it. A […]
